- Year: 1977
- Genre/Style: Psychedelic Japanese folk
- Standout Tracks: Alhambra No Aoi Bin, Aoi Glass-Dama, Tsuuro
My mother has a habit of telling me about my grandmother’s signature perfume back in her day. Tabu a sensual, overpowering and realm-creating perfume which is rightfully titled for how olfactorily inappropriate it can be at times (Jean Carles, the creator was tasked with creating “un parfum de puta”). This parfum de puta fills every crevice with musky tendrils and turns a room into a smoke-filled club accentuated with laid back mid-tempo tunes.
Yoshiko Sai’s “Taije No Yume” (which translates to Dream of a Fetus) works similarly in this context. A garden of perfumed sound which (like a club) operate in the time between moonlight and the balmy light of dawn. Emphasis on perfumed as Yoshiko’s band employs rich eastern folk instrumentation to evoke atmospheric gardens of sensuality. Yoshiko’s voice positively croooons over the tracks like exhaled pollen carried on a breeze; musky but light. I came across this quote which sums this all up quite nicely –
“The secrets inside her mind are like flowers in a garden at nighttime, filling the darkness with perfume.”- Fumiko EnchiTrack #2 “Alhambra No Aoi Bin” which makes its presence short at 2:09, is blissfully laced with crystalline harps and tender strings. Track #7 “Aoi Glass-Dama” has a magnificent peak midway where the strings rise into the air (in a Joe Hisaishi on the Nausicaa soundtrack fashion) and merges with some absolutely virulent synths that bubble into sounds from a embryonic fetal soundscape (Dream of a Fetus anyone?). Last on my standout list is track #8 “Tsuuro” the moonlit after-the-crowd-at-the-club-leaves track that treads into lazy samba territory, as its peppered with light percussion and piano stirrings.
Aside from working on her singer/songwriter projects, Yoshiko Sai creates her own amazing artwork which doubles as her album art!
Taiji No Yume